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| A soldier on duty |
Everything I
write on this blog is my opinion, it is not impossible that I was right.
First of all, I would like to write a few details about photos that
might be useful. The human eye itself is lazy, but then again, sight
uninterrupted playing a dominant role in our perception. But, again,
human vision has the power to see that all three-dimensional, a
photograph is two dimensional. For this reason, it often happens that a
scene that you see and it looks really fascinating, the picture looks
quite average, or pleasant, but not particularly interesting.
This
is one of the common problems that occur in the beginning. Later, with
experience, this problem disappears. This what you should also pay
attention to the human eye sees everything subconsciously from right to
left. It should be taken into account when creating the frame and sets
the composition. Everything is on the photograph represents the elements
that create the composition. So, everything is there, the compositional
fabric photos. In addition to what is in the photograph is, staff in
the design and composition, and location photographers involved, ie
where the scene is viewed. Once the photo has too much detail, photo
turns chaotic, so you do not see what the author wanted to say. The
point is lost. The position of the body is a powerful tool in the effort
to frame more interesting and original compositions and strong. Just
the way it is in the eye of the beholder and inspires him.
It is
good that the staff and come up with a composition in advance, compared
to what we see ahead. Displays on digital cameras really help a lot in
it.
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| Maya |
Sve
što napišem na ovom blogu je moje mišljenje, pa nije nemoguće da nisam u
pravu. Pre svega, želeo bih da napišem nekoliko detalja u vezi
fotografije koji mogu da budu korisni. Ljudsko oko samo po sebi je lenjo, a opet, vid neprekidno ima dominantnu ulogu u našoj percepciji. No, opet, ljudski vid
ima moć da sve vidi trodimenzionalno, a fotografija je
dvodimenzionalna. Iz tog razloga, vrlo često se dešava, da neki prizor
koji ugledate i izgleda zaista fascinantno, na fotografiji izgleda
sasvim prosečno, ili prijatno, ali ne i posebno zanimljivo.
To
je jedan od čestih problema koji se javljaju u početku. Kasnije, s
iskustvom, taj problem nestaje. Ono na šta takođe treba obratiti pažnju
je to da ljudsko oko podsvesno sve gleda s desna na levo. To treba
uzimati u obzir, kad se kreira kadar i postavlja kompozicija. Sve što se
nalazi na fotografiji predstavlja elemente koji kreiraju kompoziciju. Dakle,
sve što je tu, gradivno je tkivo fotografije. Uz ono što se na
fotografiji nalazi, u kreiranju kadra i kompozicije, učestvuje i položaj
fotografa, tj. odakle se scena posmatra. Kad na fotografiji ima previše detalja, fotografija
ispadne haotična ( kakafonična ), pa se i ne vidi šta je autor hteo da
kaže. Poenta se izgubi. Položaj tela je moćno sredstvo u nastojanju da
se kadar učini zanimljivijim a kompozicija originalnom i jakom. Baš
onakvom kakva je u oku posmatrača i inspiriše ga.
Dobro
je da se kadar i kompozicija smisle unapred, u odnosu na ono što vidimo
ispred sebe. Displeji na digitalnim fotoaparatima zaista dosta pomažu u
tome.
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| Difficult traffic |
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| The road to Restelica |
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| Lonely tree |
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| A powerful photo |
